PhÏlm - Multi-instrumentalist, Engineer


I have no past. The past is dead. I have no future. The future hasn't happened. There is only now. If I can't make music, I am not going to do anything. That is all there is to say.

 

Lou Newton - Guitars/Art/Design/Layout/Cover Art/ Cover Cocept/Title Concept

For as long as I have been awake, music and the visual arts has been my escape from the never-ending reality of living. I moved from Grand Rapids to Chicago in 2006 to peruse the arts, and somehow have become stuck in the monotony.  There is a strong possibility that this has always been the case. (It’s getting hard to tell) On one hand I create because I have to, on the other hand I create because I have to eat.  Marked as a double simian, I am good at almost everything I try, just never great at anything I do.  For you, I’ll give it my best…  the sun hurts my eyes.

 

Lou Newton

Ruby Smith - The Bass Guitar/Photography

 I was born and raised a music lover. I would listen, learn, and sing everything I heard. I needed my own record club membership at  eleven years old, when they still sent you vinyl in the mail. By thirteen, my musical tastes became unique and I frequented the record shops to special order bands that were virtually unheard of in Northern Michigan.
In 1991 I decided the bass guitar would be cool to play and found a teacher. I joined my first band The Drowsy Dolls with Phil Martin. I learned a lot and we made some awesome music. Like angels were singing.
I continued playing when I went to college. The Plastic Cowboys were a regular fixture at the coffeehouse in Big Rapids. We played open mic every Tuesday and opened for a few guest bands and placed second in battle of the bands at Ferris State University.
I set aside playing music for the next twenty some years and raised two wonderful girls. They are in their last few years of high school now. They are oh so smart and music lovers as well. They think it's pretty rockin' their old mom is playing bass again.
It's one of those moments where the stars aligned and everyone was in the right place at the right time and the music gods were smiling and here we are in Stardust for Jennifer. The angels are singing again.

Amy Carey - Vocals, The Bass Guitar, Keyboards

I didn’t know that I was a bass player until I was twenty-nine years old. I might have been a bit of a "late-bloomer", but when it was time for me to know, it was as if all of the stars aligned and
everything in the known universe was pointing me in that direction. One day my friends were
mentioning that they needed a bass player for their band, the next day a colleague (from my day
job) mentioned that he played the bass, and was looking to take on a student or two, and the day
after that I found a bass at a local music shop that happened to cost, with tax, the exact amount of
money that I had in my wallet ($190.80 – I will never forget that amount). I had never even
considered playing the bass guitar but after getting a bass, a bass teacher, and a potential band
within three days’ time, how could I deny that I at least had to give it a try?
So I started playing with my friend’s band, Acoustic Stew. They were patient enough to give me
the time to learn not only the songs on their set list, but the fundamentals of bass playing in general.
My teacher, John Schaller, had been a gigging musician on the local scene for over fifteen years, so
in addition to teaching me everything I know about playing the bass, he also taught me everything I
know about being part of a band and about being a professional, working musician. I cannot thank
him enough for the time he invested into my playing and my career. Sixteen years later I am still
holding down the bottom end. I am still learning, and growing as a musician.
I was probably playing bass live on a stage way before I had any right to be up there… but, there I
was! I think I played my first gig about two months after the first time I ever picked up a bass
guitar. I still think of those days, and cringe. It was horrible. I was very nervous. and I made a lot of
mistakes. but I am grateful for the experience because it drove me to be a better player. I
never wanted to look like that big of a fool again! (I have, of course, made mistakes, and looked like
a fool many times over since then, but I eventually realized that if you’re afraid of making an ass
out of yourself then you have no business being on a stage!)
Acoustic Stew went through many members and transitions over the years, but I stuck it out.
I married the guitar player, and eventually we turned into a weird band named "Ribo and the
Flavinauts". Ribo does what it wants, there is no genre, or era that we are trying to represent, or
emulate. We all have such diverse musical tastes and influences that we can’t see doing things any
other way. I love having the freedom to bring any, and every song to the table, no matter how
obscure.
This bio would not be complete without mentioning that Ruby has been my best friend through the
ups and downs since we were in fourth grade. She was the only person in our graduating class who
really understood where I was coming from about pretty much everything. Maybe because we are
both only children? I don’t know, but we lived in our own dimension back then, and we can still slip
right back into that dimension to this day.
I loved going to Ruby’s house. It was the equivalent of going to a massive library of unexplored
media. Between her parent’s huge album collection and her own growing collection it seemed like
there was a never-ending selection of new music to explore. I can remember spending hours
making mix tapes, and dubbing whole albums from her collection.
I met Philm in 1991 when I was seventeen years old. We got into a lot of trouble together. He
also opened my eyes to an entire universe of new territory that it would have taken me decades for me to discover on my own. He taught me the difference between the trite, the mainstream media, and true Art. He
showed me David Lynch movies, introduced me to bands like Suede and The Orchids. He showed me that there
was life outside of the boring existence that I was being pushed towards by my teachers, and my
parents. Though we went our own ways in life for a while, I never forgot the things he showed me,
or the experiences we had together. They were the best times of my life, and I always hoped that I
would bump into Philm again one day.
As it turns out, that would not happen for nearly twenty-five years.
I was at a gig, playing with Ribo, when Philm just sort of… walked out of the crowd and back into
my life. Though it had been over two decades since we last saw one another, we fell into stride as if
not a single day had passed. We spent hours catching up and reminiscing, and talked a lot about our
respective projects. It was so much fun that we did it all over again the very next day!
I have been wanting to branch out, and be a part of something "more" (musically speaking) for quite
some time. So, when Philm mentioned that he was interested in having me play bass, and various
other "noisemakers" in Stardust For Jennifer, I jumped at the chance so fast that I am not even sure he
believed me! It just wasn’t something that I needed to think about. There was no question. Make
music with Philm, and possibly even Ruby?
"Yes!"
Anyway, he asked me again the next day (when I was sober) and I still said “Yes!,” which brings me
right up to where we are now. I am very excited about being a part of Stardust For Jennifer. I look
forward to adding my own subtle sounds to the new material, to learning the existing material, to
working with my friends, and to meeting the rest of the talented people who make music with Philm.